Promoting new ways to respond to the challenge of making the environments we occupy more inclusive and equitable.
Spatial Editing: Re-Defining Kohima Bazaar

How understanding the politics of division, segregation and isolation can help rebuild a community.

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Kapani Nepuni Kayina
MA Architecture dissertation (Cultural Identity & Globalisation)

The Naga people, a Mongoloid tribal community who herald from the north-eastern part of India, found themselves divided between different nations and bound by different laws following India’s independence from the British in 1947. The Naga people have since attempted to reunite all Naga-inhabited areas of the former Nagaland through the creation of Naga National Council (NNC), a politically motivated rebel organisation. However, to date unification has not been achieved. Rather, increasing division within the rebels has led to corruption, extortion, a rise in crime rates and the emergence of local mafia. These mafia groups dictate law and taxation levels for every resident in Naga-inhabited areas and the resultant power imbalance threatens to arrest and degrade the cultural, political and economic development of the related areas and their peoples.

This thesis focuses on the various power relationships between individuals, clans, tribes, mafia and councils in a cluster of four markets in Kohima, Nagaland (the only Naga state in India). Crucially, it investigates how these relations are manifested and sustained in the built environment of the market.

Using extensive fieldwork, including site and cultural context analyses, social mappings, interviews and observation, the design thesis tries to subtly intervene within the built form of the market to create spaces of encounter and negotiation. The aim is to encourage dialogue between the traders, expose hidden and asymmetrical power relationships, and empower the traders. More generally, the design focuses on exploring architecture as a mediation force through the act of spatial editing.

Architecture of Resistance: Cultivating Moments of Possibility within the Palestinian/Israeli Conflict

In this subtle, compassionate, and clear-eyed book, Yara Sharif offers architecture as both a tactic of physical resistance and a contesting form of knowledge and possibility – a critical mnemonic for a culture under erasure. Her profound mappings of Palestine beautifully harmonize space and life and, with courageous modesty, advance creativity and improvisation in defense of a beleaguered, precious, normality

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Yara Sharif

Yara Sharif is a practicing architect and an academic, she is a lecturer at the University of Westminster and at Oxford Brookes University and is a partner at Golzari-NG Architects London, an award winning practice that has developed a reputation of working on sustainable community projects with specific interest in issues of cultural identity and responsive design. Her work generally stretches internationally where she mainly looks at design as a means to facilitate and empower forgotten communities, while also interrogating the relationship between politics and architecture. Sharif has co-founded Palestine Regeneration Team (PART); a design-led research group that aims to search for creative and responsive spatial practices in Palestine. Her research by design was granted the 2013 commendation award – RIBA’s President Award for Research for Outstanding PhD Thesis. Her built projects have won a number of awards. She was granted the 2016 RIBA President Award for Research (commendation) in the cities and communities category.